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The interior of Arnold’s suit jacket garnered equal attention on the red carpet. The lining was sewn with a photo of Arnold as a young football player as well as one of his whole family. On the other side of the jacket, the acronym “LANK” was sewn on the interior. Marchitelli said it stands for “Let All Naysayers Know,” a saying from Arnold’s time playing for the Alabama Crimson Tide.
Roderick Usher
If you have been on social media in the last few weeks then you have probably heard about Mike Flanagan’s newest hit, The Fall of the House of Usher. It has been sitting at number one on Netflix’s charts since it was released on October 12, and it is easy to see why. The mini-series is an absolute masterpiece and one that should be on everyone’s watchlist. It features some familiar faces in the Flanagan universe such as Carla Gugino, Henry Thomas, and Kate Siegel, and we saw a few new faces that I hope we will see in future Flanagan projects. Gugino’s Verna is beautiful and divine, and she devours every single actor in her path, except Kate Siegel, Kyliegh Curran, and Mark Hamill as Camille, Lenore, and Arthur Pym, respectively.
The Fall of the House of Usher - 1x01 "A Midnight Dreary" - Episode Discussion
Some lady told me that there was a nice young Latin guy who passed away in that apartment building. That's the name I got from him in that dream I had the first night I was in the apartment. I've had it where the stove burners would turn themselves down when they needed to be before I walked into the kitchen, I once got up from the sofa, walked into the kitchen to turn the burner down (I was making black beans and rice for dinner) and I watched the burner knob turn down to low. Created directed, and written by Mike Flanagan, the series also features Michael Fimognari as a director on four of the eight episodes and Emmy Grinwis, Justina Ireland, Mat Johnson, Dani Parker, Rebecca Klingel, James Flanagan, and Kiele Sanchez making up the rest of the series’ writers. Siblings Roderick and Madeline Usher have built a pharmaceutical company into an empire of wealth, privilege and power; however, secrets come to light when the heirs to the Usher dynasty sta...
The Hollywood Reporter
He wouldn't have just watched everything unfold, he would've acted. (Of course Leo had to die - the story had to be told - his partner just shouldn't have been involved, or maybe involved differently). Inside the house, which was also staged with furniture, three rooms were transformed into on-site jewelry showrooms, all of which showcased the new Céleste collection. The 157 pieces are offered at an average price of “close to a million if not above,” as Nathalie Verdeille, Tiffany & Co. chief artistic director of jewelry and high jewelry, shared with WWD.
It follows the Usher family as they are put on trial for their many illegal deeds. As each Usher does their best to help their family and themselves, a mysterious presence begins to pick them off one by one. Each death is gruesome and specifically relates to who the person was during their life.
When it does, the result is a wondrously bloody, pitch-perfect display of the macabre. The second belongs to Henry Thomas as Freddie, the maligned eldest child who channels his familial resentment and insecurity into malevolent domestic abuse as his siblings start dying, culminating in a classic, shall we say, stroke of irony. It turns out that almost every branch of the Usher family tree has been cut by violent horror. ” “No, not before,” he replies in one of the show’s many glimpses of Flanagan’s viciously dark sense of humor.
The Martian Chronicles, a 1950 collection of stories by Ray Bradbury, contains a novella called "Usher II," a homage to Poe. Its main character, William Stendahl, builds a house based on the specifications from Poe's story to murder his enemies. She appears near the narrator, but never acknowledges his presence. She returns to her bedroom where Roderick claims she has died. The narrator and Roderick place her in a tomb despite her flushed, lively appearance. In the tale's conclusion, Madeline escapes from the tomb and returns to Roderick, scaring him to death.
Flanagan’s deft hand at capturing the human condition and the ways in which desire and fear force them to breakpoints is a skill that lends to the source material to craft it into something absolutely unique. Whatever level you’re at, it’s a formula for a series of moment-to-moment effectiveness, with some cleverness and much playful horror. But in its wish-fulfillment approach to a very real tragedy, the haunting here is more fleeting and less marrow-deep than Flanagan’s best work.
Rahul Kohli's character Napoleon is hilarious to me and is easily one of my favourite characters so far. Like I said im only 2 episodes in but its already pretty terrifying. Siblings Roderick and Madeline Usher have built a pharmaceutical company into an empire of wealth, privilege and power; however, secrets come to light when the heirs to the Usher dynasty start dying. Given the increasing attention to style in the NFL, the league expanded its red carpet coverage for this year’s draft to spotlight the players’ looks. According to the NFL, the league’s fashion coverage was a top performer across social media last football season.
All eight episodes were released on Netflix on October 12, 2023, each directed by either Flanagan or Michael Fimognari, with the latter also acting as cinematographer for the entire series. Arnold, who was traded to the Detroit Lions, was one football player who used his NFL Draft red carpet suit to pay homage to his roots. The cornerback wore a custom pale salmon and silver floral-embroidered suit made by menswear designer Tom Marchitelli.
'The Fall of the House of Usher' Is Dripping With Edgar Allan Poe References - The Mary Sue
'The Fall of the House of Usher' Is Dripping With Edgar Allan Poe References.
Posted: Tue, 17 Oct 2023 07:00:00 GMT [source]
Filled with tension and the gothic romanticism and selfishness that begets penance and revenge, The Fall of the House of Usher is a stunning tribute and exhaustive love letter to the works of one of America’s most prolific writers. Even if it isn’t perfect, the series is one that you can fall into deeply, especially if you share the reverence Mike Flanagan has for the Master of the Macabre. Yes, Flanagan takes classics and morphs them into something dynamic, emotional, and original as he builds connective tissue between each adapted story and character that makes this story feel like something lived in and original without becoming a cacophony of Poe references. Flanagan isn’t one for shot-for-shot adaptations, and that’s what has made his take on both The Haunting of Hill House and The Turning of the Screw in his first two Netflix horror series a critical success.
The Haunting of Hill House set the bar for scares in Flanagan’s filmography, and The Fall of the Usher meets those expectations with ease thanks to the work of cinematographer Michael Fimognari (Flanagan and Fimognari have enjoyed a long partnership, dating back to 2013’s Oculus). Like Hill House before it, House of Usher features a good blend of slow, spooky scares and outright shrieks as Roderick recounts his complicated tale to Auguste in the musty carcass of his childhood home. Both the past and present timelines are filled with the kind of horrors you’ve come to expect from Flanagan, but he really flexes in the methodology of murder as tragedy barrels its way through the Usher family. The first two episodes of The Fall of the House of Usher premiered at Fantastic Fest in September 2023 before the Netflix release the following month, being viewed more than 13 million times in its first two weeks.
We do get some fabulous creative moments, like Flanagan’s gleeful edit of an opening montage that introduces us to all members of the Usher family through witty cross-cuts and overlapping dialogue. If what you came for were eight cycles of impending doom counting down to their garish conclusions, you’re in luck. Trucco’s character is Rufus Griswold, a name shared with the 19th century scribe whose reflections on Poe after the latter’s death helped shape our possibly incorrect perception of the author as an opioid-addicted madman, which adds a layer of irony to Flanagan’s Sackler-esque prism. Costumes and hair, incidentally, are a huge part of the characterizations in this show, from Greenwood’s mustache to Thomas’ disturbing man-bun.
(Poe probably wasn’t even an opium addict.) Perhaps that’s because a part of Flanagan would rather be writing his own stories. House of Usher contains many moments of pure, undiluted horror, stylish and masterful. But the show drowns in its uneven grasp of the source material, when it needn’t have relied on source material at all. The key to the ideal Flanagan series likely lies not with more cherry-picked adaptations, but with more stories that are entirely Flanagan’s own. Flanagan takes a kind of mix-and-match approach to his biggest references that frequently makes their origin stories nearly incidental.
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